For this image of this couple, I persuaded them to come to a better location allowing me to use the setting sun as a rim light. I then set my Speedlite on the right just outside of the frame. I found a convenient spot to set the Speedlite. The Speedlite fitted with a 1/4 Color Temperature Orange gel was set to 1/8th power to match available light of 1/200 sec @f 5.6 ISO 100. I used the Canon STE-3-RT to trigger the Speedlite. See the setup diagram below.To see this picture larger, click on it.
Every year I try to make it downtown during the Dickens Festival.
The site for this year’s festivities was the pedestrian mall on Main Street between city hall and University Ave.
I can’t recall the last time I actively went in search for wild life. I happened across this cattle egret in the late evening sun in Fairmount Park. See the other two pictures taken within 30 feet of this spot.
I don’t think I’ll ever stop making pictures.
When my cameras were burned to a crisp inside a bus where I narrowly escaped with my life in Los Angeles, I was sick to my stomach for weeks.
The camera bodies that were incinerated were motorized Minolta XD7s with a complement of lenses and flash units.
Jackie Zapata was all decked out in her costume. All I needed to do was find a good spot to place her to highlight the costume in the fading daylight. Canon 5DM2 ISO 400 1/750 sec @F2.8 80-200zoom set at 170mm
Sometimes the best portraits of people can’t be created in the studio.
Sometimes, they can only be done on location.
By the time the props and the matching backdrops are brought in, the whole photo shoot becomes a huge production.